Manette is the first person to experience resurrection in A Tale of Two Cities.The argument of resurrection is launched at the very beginning when Mr. His American Notes, which created a furore in America he commented unfavourably, for one thing, on the apparently universal -- and, so far as Dickens was concerned, highly distasteful -- American predilection for chewing tobacco and spitting the juice , appeared in October of that year. The actual fact is that Dickens regarded the revolution as a monster. However, by issuing A Tale of Two Cities in weekly instalments in All the Year Round, Dickens so reduced the demand for monthly parts, that, as Solberg explains, a single engraved plate was sufficient to print both illustrations required for the monthly part. The hanging of old Foulon and his son-in-law and the setting of the chateau of the Evremondes on fire continue the episodic and fragmentary account by Dickens of the French Revolution are conveyed to us in the final part of the novel, where we have a depressing description of the prisoners in La Force, a frightening description of the sharpening of weapons by the revolutionaries on the grindstone, an awful description of the working of La Guillotine, the National Razor, which shaved close , the terrible account of the dancing of the Carmagnole, and the dreadful references to such happenings as the summary trails of the prisoners by the Revolutionary Tribunal and the sentencing to death of such harmless persons as the poor seamstress. On the back of the card is a note handwritten by Carlyle himself. The author Charles Dickens explores the economic disparity between rich and poor within in the two cities and topics during enlightenment such as revolution in political thinking. A Tale of Two Cities was published at a time when there were considerable diplomatic tensions between Britain and the France of Napoleon III, whose Second Empire regime was not considered very stable by many in Britain. Manette is the first person to experience resurrection in A Tale of Two Cities. For generations, aristocrats like Monseigneur have thought of nothing else except their own pleasure and luxury. Also, when Darnay is arrested for the second time, in Book the Third, Chapter 7, the guard who seizes him reminds Manette of the primacy of state interests over personal loyalties. Carton is affected by sadness, guilt, alcoholism, distress, love, and jealousy. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France In writing his novel, he was very particular about integrating the personal lives of his characters with the wider pattern of history.
It attempts no really panoramic view of either the English or the French political world of those critical years One could also make an argument for the characters as well.
Manette could not save Darnay through his own good influence, while Madame Defarge is able to lead the mob to the carnage of the Bastille single-handedly.
Moreover, Madame Defarge gives her husband a similar lesson when she chastises him for his devotion to Manette—an emotion that, in her opinion, only clouds his obligation to the revolutionary cause.
Dickens leaves us with the haunting image of Lucie, knitting in her comfortable London home, but straining to hear distant, French footsteps in the streets.
Similarly, the text implies that the death of the old regime in France prepares the way for the beautiful and renewed Paris that Carton supposedly envisions from the guillotine. The book centers on the heroic attempts of Sydney Carton and Charles Darnay. In his relationship with Maria Beadnell ended, probably because her parents did not think him a good match a not very flattering version of her would appear years later in Little Dorrit.
The moral, which Dickens, therefore, wishes to teach us through his treatment of the French Revolution, is that violence leads to violence, that prison is the consequence of prison, and that hatred is the reward of hatred.